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Aesthetics: The Artists of L’Inhumaine


Abel, Richard. French Cinema: The First Wave, 1915-1929. Princeton: Princeton University Press, 1984. Print.

Abel, Richard. French Film Theory and Criticism: A History/Anthology 1907-1939 Volume 1. Princeton: Princeton University Press. 1988. Print.

Albrecht, Donald. Designing Dreams: Modern Architecture in the Movies. New York: Harper & Rowe in collaboration with the Museum of Modern Art, 1986. Print.

Becherer, Richard. “Past Remembering: Robert Mallet-Steven’s Architecture of Duration. Assemblage 31 Dec. 1996: 16-41. JSTOR. Web. 12 Nov 2015.

Frank, Felicia Miller. “‘L’Inhumaine: La Fin du Monde’: Modern Utopias and Film-Making Angels.” Comparative Literature Issue. Spec issue of MLN 111:5. 1996: 938-953. JSTOR. Web. 12 Nov 2015

Lauder, Standish D. The Cubist Cinema. New York: New York University Press. 1975. Print.

Lussier, Suzanne. Art Deco Fashion. London: V&A Publications. 2003. Print.

Mawer, Deborah. Darius Milhaud: Modality & Structure in Music of the 1920s. Brookfield: Ashgate Publishing Company. 1997.

Sutcliffe, Anthony. “Chapter 3: Architecture, Planning and Design.” The Cambridge Companion to Modern French Culture. Cambridge: Cambridge University Press, 2003. Cambridge Companions Online. Web. 12 November 2015.

Villalobos, Nieves Fernandez. “Chapter 11: Mallet-Stevens, Modern Design, and French Cinema.” Designing the French Interior: The Modern Home and Mass Media. New York: Bloomsbury Publishing.2015. ebrary.

Williams, Alan. Republic of Images: A History of French Filmaking. Cambridge: Harvard University, 1992. Print.